In Brazil, Death is female.
Madam
Death wears a black cloak
the hood
of which she always wears (even at the beach).
Like Mr.
Stork, her competitor, she is timeless
and takes
well-deserved pride
in always
getting her man
for no one
can escape her or her List
however
hard they try.
Madam
Death is not unfeeling
but she
must do her thankless job
day in and
day out
she
chases, cajoles, traps and tricks
she always gets her man
doing the
job no one wants—
someone
has to, after all.
Madam
Death is capable of great compassion,
but dying
is a side-effect of living;
some evade
her for years
some meet
her far too early
but sooner
or later she will always get her man.
Madam
Death is aware of the injustice of it all;
but her
List is not hers to control,
and once
in it, your future is set.
In Brazil
it is understood
that it’s
natural to dislike her;
she takes
away our loved ones,
sends us
into the unknown;
when
angered, we are told, her wrath is great:
even her
godson was not spared
for trying
to cheat her,
or so the
story goes.
Yet Madam
Death is not evil,
nor does
she want our fear—
all she
asks for is respect.
That is
why
we often
give her a rarely-used honorific
usually
saved for the elderly.
That is
why beneath her cloak
the hood
of which she always wears (even at the beach)
she is a
skeleton, her face a grinning skull
eery and
unnerving,
yet oddly
funny
for Madam
Death without her hood
is like a werewolf wearing a cone of shame.
is like a werewolf wearing a cone of shame.
2 comments:
Cool poem. I really like the repetition of "she always gets her man" because it reflects the ruthless nature of death. I also like the subtle humour of "even at the beach", but the boldly comedic and absurd tone of the final line seems to belong to a different poem.
On second thought that last line might fit in better than I first thought.
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